I spent many happy days there. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “I don’t care,” said Ann Veronica. The glass in the windows was broken—the roof unthatched—the walls dilapidated. He was not Meysey Hill, but an Englishman of business, and he had only a small income.
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