The doctor turned quickly and made for the door, which he opened and shut gently because he was assured that Ruth was listening across the hall for any sign of violence. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Uttering a few inarticulate ejaculations,—for he was completely out of breath,— the fugitive placed a bundle in the arms of the carpenter, and, regardless of the consternation he excited in the breast of that personage, who was almost stupified with astonishment, he began to divest himself of a heavy horseman's cloak, which he threw over Wood's shoulder, and, drawing his sword, seemed to listen intently for the approach of his pursuers. It was a neat, efficient-looking room, with a writing-table placed with a business-like regard to the window, and a bookcase surmounted by a pig’s skull, a dissected frog in a sealed bottle, and a pile of shiny, black-covered note-books. “I want a vote for myself,” she said. Ann Veronica stood in the twilight room staring at the door that had slammed upon her aunt, her pocket-handkerchief rolled tightly in her hand.
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