On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. Professing to stand between the robber and the robbed, he himself plundered both. Because here was the haven for which she had been blindly groping: the positive abolition of all her father's rights in her—the right to drag her back. He laughed lightly. They agreed to lend her their hold-all and a large, formless bag which they called the communal trunk.
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