It was painted in the early seventeenth century by a minor artist named DuPre. She turned off the light and approached the window. For a moment her thoughts led her back to the evening when she and Courtlaw had stood together before the window of her studio in Paris, before the coming of Sir John had made so many changes in her life. His shirt was unfastened, his vest unbuttoned, his hose ungartered; his feet were stuck into a pair of pantoufles, his arms into a greasy flannel dressing-gown, his head into a thrum-cap, the cap into a tie-periwig, and the wig into a gold-edged hat. Manning told her he loved beauty, and extorted a similar admission from her; he then expatiated upon his own love of beauty.
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