I wanted to have something to give up. Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. Either you have had to love people or hate them—which is a sort of love, too, in its way—to get anything out of them.
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