The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Ruth could tell the doctor; she could bare many of her innermost thoughts to that kindly man; but there was an inexplicable reserve before this young man whom she still endued with the melancholy charm of Sydney Carton. ‘He isn’t Valade, and the Comtesse de St Erme is absolutely furious.
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